Zwei Putten Versuchen, einen Affen entführt ein Kind aus einem Satz der Giochi di Putti zu stoppen. Artist: Cartoon von Tommaso Vincidor (Tommaso di Andrea) (Italienisch, Bologna Ca. 1517-ca. 1536 Breda (?)). Kultur: Italienisch, Rom. Designer: Design zugeschrieben, Giovanni da Udine (Giovanni dei Ricamatori) (Italienisch, Udine 1487-1564 Rom); Angepasst von einem Design von Raphael (Raffaello Sanzio oder Santi) (Italienisch, Urbino 1483-1520 Rom). Abmessungen: L 102 x W 104 in. (259 x 264 cm). Manufaktur: Gewebe in der Barberini Manufaktur. Datum: Ca. 1635. Dieser Teppich ist einer von acht Die reproduzieren, im Teil, eine Reihe von TWEN

• Bildanbieter: Album / Alamy Stock Foto
• Bild-ID: PAKYMD
• Dateigröße: 49,5 MB (3,4 MB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 4200 x 4122 px | 35,6 x 34,9 cm | 14 x 13,7 inches | 300dpi
• Fotograf: Album

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Dieses Bild kann kleinere Mängel aufweisen, da es sich um ein historisches Bild oder ein Reportagebild handel

Two Putti Trying To Stop a Monkey Abducting a Child from a set of the Giochi di Putti. Artist: Cartoon by Tommaso Vincidor (Tommaso di Andrea) (Italian, Bologna ca. 1517-ca. 1536 Breda (?)). Culture: Italian, Rome. Designer: Design attributed to Giovanni da Udine (Giovanni dei Ricamatori) (Italian, Udine 1487-1564 Rome); Adapted from a design by Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: L. 102 x W. 104 in. (259 x 264 cm). Manufactory: Woven in the Barberini Manufactory. Date: ca. 1635. This tapestry is one of eight that reproduce, in part, a set of twenty ordered in 1520 by Pope Leo X for the Hall of the Consistory in the Vatican. The design was conceived as an allegorical celebration of the golden age under the Medicis and under Leo X in particular. The theme and format of the set may have been conceived by Raphael (both of the putti in this tapestry derive from lost paintings by him), but the designs were executed by his pupils. Several of the preparatory sketches are in the hand of Giovanni de Udine, while the cartoons were painted in Brussels by Tommaso Vincidor, who traveled there for that purpose in 1520. The ground of the original set was woven in gold thread, which may account for its disappearance during the late eighteenth century, a period in which many historic tapestries were burned in order to extract the precious metals they contained. The seventeenth-century reweavings imitate the golden effect with striations of yellow silk and wool. Museum: Metropolitan Museum of Art, New York, USA.

Stockbilder mithilfe von Tags suchen

• 102 x w
• 104
• 1517-ca
• 1520
• 1536
• 1635
• 17 jh
• 2. jahrtausend ad
• 259 264 cm
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• allegorische feier
• aufhören
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• garnitur
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• unt
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• wandteppich
• wolle
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• wool and silk wefts
• zwanzig bestellt
• zwei putti versuchen es