Tani Bunchō (谷 文晁, 15. Oktober 173 - 6. Januar 1841) war ein japanischer Literatus-Maler (bunjin) und Dichter. Er war der Sohn des Dichters Tani Rokkoku (1729-1809). Als seine Familie Retter der Familie Tayasu, Nachfahren des achten Tokugawa-Shogun, war Bunchō Samurai-Status und erhielt einen Pfand, um die Verantwortung zu erfüllen, die sich daraus erließ. In seiner Jugend begann er mit dem Studium der Maltechniken der Kanō-Schule unter Katō Bunrei (1706-82). Nach Bunreis Tod arbeitete Bunchō mit Meistern anderer Schulen zusammen, wie dem Literatenmaler Kitayama Kangen (1767-1801), und entwickelte ein Wi

• Bildanbieter: CPA Media Pte Ltd / Alamy Stock Foto
• Bild-ID: 2B023HH
• Dateigröße: 49,9 MB (1,4 MB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 3700 x 4714 px | 31,3 x 39,9 cm | 12,3 x 15,7 inches | 300dpi
• Aufnahmedatum: 4. Mai 2009
• Fotograf: Pictures From History

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Tani Bunchō (谷 文晁, October 15, 1763 - January 6, 1841) was a Japanese literatus (bunjin) painter and poet. He was the son of the poet Tani Rokkoku (1729–1809). As his family were retainers of the Tayasu Family, descendents of the eighth Tokugawa shogun, Bunchō inherited samurai status and received a stipend to meet the responsibilities this entailed. In his youth he began studying the painting techniques of the Kanō school under Katō Bunrei (1706–82). After Bunrei's death, Bunchō worked with masters of other schools, such as the literati painter Kitayama Kangen (1767–1801), and developed a wide stylistic range that included many Chinese, Japanese and European idioms. He rose to particular prominence as the retainer of Matsudaira Sadanobu (1759–1829), genetic son of the Tayasu who was adopted into the Matsudaira family before becoming chief senior councilor (rōju shuza; 老中首座) of the Tokugawa Shogunate in 1787. Bunchō is best known for his idealized landscapes in the literati style (Nanga or Bunjinga). Unlike most bunjinga painters of his time, however, Bunchō was an extremely eclectic artist, painting idealized Chinese landscapes, actual Japanese sites, and poetically-inspired traditional scenery. He also painted portraits of his contemporaries, as well as imagined images of such Chinese literati heroes as Su Shi and Tao Yuanming.

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