3487 x 5278 px | 29,5 x 44,7 cm | 11,6 x 17,6 inches | 300dpi
Ort:
La Virgen del Quito, El Panecillo (Little Bread Loaf), Old Town, Quito, Ecuador, South America
Weitere Informationen:
El Virgen del Quito atop El Panecillo Little Bread Loaf overlooking the Old Town of the Andean capital Quito -Ecuador. El Panecillo (from Spanish panecillo small piece of bread, diminutive of pan bread) is a 200-meter-high volcanic-origin hill with loess soil, between southern and central Quito. Its peak is at an elevation of 3016 meters above sea level. The original name used by the aboriginal inhabitants of Quito was Yavirac. According to Juan de Velasco, a Jesuit historian, on top of Yavirac there was a temple which the Indians used to worship the sun. This temple is said to have been destroyed by the Spanish conquistadores. In 1976, the Spanish artist Agustín de la Herrán Matorras was commissioned by the religious order of the Oblates to build a 45-meter-tall aluminum monument of a madonna which was assembled on a high pedestal on the top of Panecillo. It is made of seven thousand pieces of aluminum. The monument was inaugurated on March 28, 1976, by the 11th archbishop of Quito, Pablo Muñoz Vega. The statue was engineered and erected by Anibal Lopez of Quito. The virgin stands on top of a globe and is stepping on a snake, which of course is classic madonna iconography. What is not so traditional is that she has wings. The people of Quito proudly claim that she is the only one in the world with wings like an angel. The monument was inspired by the famous "Virgen de Quito" (Quito's Madonna) also known as "the dancer" sculpted by Bernardo de Legarda in 1734, which now decorates the main altar at the Church of St. Francis. This madonna represents a turning point of the Quito School of Art (one of the most renowned of the Americas) because it shows a virgin with great movement that is practically dancing in contrast with the traditional static Madonnas that were produced during the 18th century. This monument today has a bronze placard affixed to it that reads "this is the woman from Revelations 12:1–18". The true identity of the figure is revealed. It is
