3495 x 5260 px | 29,6 x 44,5 cm | 11,7 x 17,5 inches | 300dpi
Ort:
La Virgen del Quito, El Panecillo (Little Bread Loaf), Old Town, Quito, Ecuador, South America
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Statue of La Virgen del Quito atop El Panecillo Little Bread Loaf near the Old Town of the Andean capital of Quito Ecuador. El Panecillo is a hill located in the middle west of the city at an altitude of about 9, 895 ft (3, 016 m) above sea level. A monument to the Virgin Mary is located on top of El Panecillo and is visible from most of the city of Quito. In 1976, the Spanish artist Agustín de la Herrán Matorras was commissioned by the religious order of the Oblates to build a 134.5 ft (41 m)–tall aluminum monument of a madonna, which was assembled on a high pedestal on the top of Panecillo. Made of approximately 7, 000 pieces of aluminum, the monument was inaugurated on March 28, 1976, by the 11th archbishop of Quito, Pablo Cardinal Muñoz Vega. The figure stands on top of a globe, standing on top of a chained crocodile , symbolizing her triumph over evil (classic madonna iconography). What is not so traditional, however, is her wings. The monument was inspired by the famous "Virgen de Quito" (Quito's Madonna), also known as "the dancer" sculpted by Bernardo de Legarda in 1734, which now decorates the main altar at the Church of St. Francisco. This madonna represents a turning point of the Quito School of Art (one of the most renowned of the Americas) because it shows a figure with great movement (practically dancing), which is in contrast to the traditional static madonnas produced during the 18th century. El Panecillo (from Spanish panecillo small piece of bread, diminutive of pan bread) is a 200-meter-high volcanic-origin hill with loess soil, between southern and central Quito. Its peak is at an elevation of 3016 meters above sea level. The original name used by the aboriginal inhabitants of Quito was Yavirac. According to Juan de Velasco, a Jesuit historian, on top of Yavirac there was a temple which the Indians used to worship the sun. This temple is said to have been destroyed by the Spanish conquistadores. In 1976, the Spanish artist Agustín de la Her