Statue des Amun. Abmessungen: h. 17,5 cm (6 7/8 in.); w. 4,7 cm (1 7/8 in); d 5,8 cm (2 1/4"); Gewicht 0,9 kg. (2 lbs). Dynastie: Dynasty 22. Datum: Ca. 945-712 v. Chr.. Der Gott Amun (die "verborgene") kam zuerst in den Vordergrund zu Beginn des Mittleren Reiches. Aus dem Neuen Reich Onward, Amun war wohl der wichtigste Gott in das ägyptische Pantheon. Als Gott, Schöpfer des Amun häufig als Amun-Re (im typischen ägyptischen Vermischung von Gottheiten Amun mit den wichtigsten solaren Gottheit verbunden, Re). Seine wichtigsten Heiligtum war der immense Tempelanlage von Karnak am Ostufer des
Dieses Bild kann kleinere Mängel aufweisen, da es sich um ein historisches Bild oder ein Reportagebild handel
Statuette of Amun. Dimensions: h. 17.5 cm (6 7/8 in); w. 4.7 cm (1 7/8 in); d 5.8 cm (2 1/4 in); weight 0.9 kg. (2 lbs). Dynasty: Dynasty 22. Date: ca. 945-712 B.C.. The god Amun ("the hidden one") first came into prominence at the beginning of the Middle Kingdom. From the New Kingdom onward, Amun was arguably the most important god in the Egyptian pantheon. As a creator god, Amun is most often identified as Amun-Re (in the typical Egyptian blending of deities, Amun is combined with the main solar deity, Re). His main sanctuary was the immense temple complex at Karnak on the east bank of the Nile at the southern edge of modern Luxor. In this small figure Amun stands in the traditional pose with the left leg forward. He is identified by his characteristic flat-topped crown, which originally supported two tall gold feathers, now missing. He wears the gods' braided beard with a curled tip and carries an ankh emblem in his left hand and a scimitar across his chest. On pylons and temple walls of the New Kingdom, Amun-Re is often depicted presenting a scimitar to the king, thus conferring on him military victory. This statuette, cast in solid gold, is an extremely rare example of the statuary made of precious materials that, according to ancient descriptions, filled the sanctuaries of temples. The figure could have been mounted on top of a ceremonial scepter or standard. There are traces of a tripartite loop on the top of Amun's cap, which indicates that he could be suspended and, as such, perhaps was worn by a temple celebrant or by a statue of a deity.For the Egyptians, the color of gold and the sheen of its surface were associated with the sun, and the skin of gods was supposed to be made of gold. The soft modeling of the torso, the narrow waist, and other features are typical of the art of the Third Intermediate period. This era marks the political decline of centralized power in Egypt, but it is also a period of great artistic achievement. Works in metal (gold, s
