Speculum Romanae Magnificentiae: Titelseite eingraviert in architektonische und skulpturale Bordüre 1573–77 Etienne DuPérac Französisch dieser Druck stammt aus der Kopie des Museums des Speculum Romanae Magnificentiae (Spiegel der römischen Pracht).der Speculum entstand in den Verlagsbemühungen von Antonio Salamanca und Antonio Lafreri. Während ihrer Karriere im römischen Verlag initiierten die beiden ausländischen Verlage, die zwischen 1553 und 1563 zusammenarbeiteten, die Produktion von Drucken, die Kunstwerke, Architektur und Stadtansichten aus dem antiken und modernen Rom aufzeichnen. Die Drucke konnten gekauft werden

• Bildanbieter: MET/BOT / Alamy Stock Foto
• Bild-ID: 2HGTY0D
• Dateigröße: 27,8 MB (2,3 MB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 2633 x 3692 px | 22,3 x 31,3 cm | 8,8 x 12,3 inches | 300dpi
• Aufnahmedatum: 20. Januar 2022

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Dieses Bild ist ein gemeinfreies Bild. Dies bedeutet, dass entweder das Urheberrecht dafür abgelaufen ist oder der Inhaber des Bildes auf sein Urheberrecht verzichtet hat. Alamy berechnet Ihnen eine Gebühr für den Zugriff auf die hochauflösende Kopie des Bildes.

Dieses Bild kann kleinere Mängel aufweisen, da es sich um ein historisches Bild oder ein Reportagebild handel

Speculum Romanae Magnificentiae: Title Page engraved within architectonic and sculptural border 1573–77 Etienne DuPérac French This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 1 in the scrapbook.. Speculum Romanae Magnificentiae: Title Page engraved within architectonic and sculptural border.