Römische ägyptische Mumienmaske, 100-120 n. Chr., römische Periode Ägypten. British Museum EA29476. Gemalte Blutzuckermumamamaske mit Rosenkränzchen im Haar und Exp
3636 x 5000 px | 30,8 x 42,3 cm | 12,1 x 16,7 inches | 300dpi
Aufnahmedatum:
10. Januar 2022
Ort:
British Museum
Weitere Informationen:
Roman Egyptian mummy mask, 100-120 AD, Roman Period Egypt. British Museum EA29476. Painted cartonnage mummy-mask with rosebud garland in hair and exposed breasts. The best-known funerary representations from Roman Egypt are the so-called 'mummy portraits' plaster masks often extending over the upper body, were also popular, and are found from the earliest years of the Roman occupation. The face of this mask was shaped separately by pressing the plaster onto a mould; on some examples this method of manufacture is clearly indicated by finger-marks on the interior. This face was subsequently attached to the headdress and torso, and the somewhat unusual orientation of the head is probably due to a rather awkward join with the other parts. The anonymous woman wears a yellow tunic, leaving her breasts exposed. A band of cloth runs from the tunic between the breasts onto a colourful collar, at the bottom of which is a winged scarab beetle. In her hair is a garland of rosebuds. Her sleeves bear the protective wings of Isis and Nephthys, and images of other deities appear on the area of the mask behind her hair. These include Anubis and Re-Horakhty. The woman wears earrings, gold bracelets on both wrists, and two rings on the fingers of her left hand. She holds a sprig of leaves, perhaps myrtle. The style of the earrings, bracelets, and rings suggests a date in the early second century AD; around that time this hairstyle, based on a traditional Egyptian one, became popular in funerary portraits. The style of the facial representation, the hair, and elements of the dress show strong classical influence, but the religious iconographical elements show that the fundamental concepts of the Egyptian way of death were still to be found well into the Roman era, with the scarab symbolizing both the solar cycle and the regeneration of life, and Isis, Nephthys, and the other deities protecting the owner. Little is known about the specific findspots of this masks, although they se
