Patienten, Surrey County Irrenanstalt. Artist: Hugh Welch Diamond (British, 1808-1886). Abmessungen: Matte: 11 1/4 x 9 1/8 in. (28,6 × 23,2 cm) Bild: 7 1/2 x 5 1/2 in. (19,1 x 14 cm). Datum: 1850-58. Ein Arzt, Antiquar und Sammler von Drucke, Hugh Diamond ist ein Paradebeispiel für ein Gentleman Bewunderer, die Entwicklung des neuen Mediums Fotografie gefördert. Er machte seinen ersten Foto im April 1839, nur drei Monate nach der Demonstration Talbots der Erfindung, war bei der Gründung der Photographischen Gesellschaft 1853 instrumental, und durch Publikationen und informellen Zusammenkünften taugh

• Bildanbieter: Album / Alamy Stock Foto
• Bild-ID: PAX60W
• Dateigröße: 31,3 MB (1,7 MB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 2860 x 3828 px | 24,2 x 32,4 cm | 9,5 x 12,8 inches | 300dpi
• Fotograf: Album

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Dieses Bild kann kleinere Mängel aufweisen, da es sich um ein historisches Bild oder ein Reportagebild handel

Patient, Surrey County Lunatic Asylum. Artist: Hugh Welch Diamond (British, 1808-1886). Dimensions: Mat: 11 1/4 × 9 1/8 in. (28.6 × 23.2 cm) Image: 7 1/2 × 5 1/2 in. (19.1 × 14 cm). Date: 1850-58. A medical doctor, antiquarian, and collector of prints, Hugh Diamond is a prime example of a gentleman amateur who furthered the development of the new medium of photography. He made his first photograph in April 1839, only three months after Talbot's demonstration of the invention, was instrumental in founding the Photographic Society in 1853, and through publications and informal gatherings taught many photographers, including Henry Peach Robinson, to use both the calotype and the collodion processes. Following Sir Alexander Morison as the superintendent of the Surrey County Lunatic Asylum, from 1848 to 1858 Diamond updated--with photographs--his predecessor's atlas of engraved portraits of the patients. Working in the belief that mental states are manifested in the physiognomy and that photographs are objective representations of reality, Diamond described himself as a photographer as one who "catches in a moment the permanent cloud, or the passing storm or sunshine of the soul, and thus enables the metaphysician to witness and trace out the connexion between the visible and the invisible." This photograph may have been made to identify the patient or, by recording a phase of the disease, to serve the doctor's diagnosis. Because the image is not annotated the viewer may, like the metaphysician, muse on whether the woman's engaging but ambiguous smile and almost cocky pose denote a state of madness, a return to health, or a challenge to society's parameters of sanity. Museum: Metropolitan Museum of Art, New York, USA.

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• 11 1/4
• 1808-1886
• 1850-58
• 1853
• 19th century en
• 2. jahrtausend ad
• 23,2 cm
• 28.6
• 9 1/8
• albumen silver print
• albumin silberdruck aus glas negativ
• albumin silberdrucke
• antiquarium
• april 1839
• ärztin
• ãrztliche
• brith
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• gründend
• henry pfirsich
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• informelle treffen
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• metropolitan museum of art
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• new york
• patientin
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• prime example
• prints
• publikationen
• robinson
• samler
• surrey county lunatic asylum
• talbot
• vereinigtes knigreich