. Englisch: 'Miranda (Emma Hamilton). Von Caroline Watson 14 Aug 1809 eingraviert, Stecher an Ihre Majestät, aus dem ursprünglichen Bild 'A Drucken nach einem Gemälde von Emma Hart, von George Romney. Diese dramatische Skizze zeigt Emma wie Miranda, aus Shakespeares "Der Sturm" posiert. Sie schaut nach oben, Lippen öffneten sich, im Ausdruck der Sorge und plädieren, wie Sie fordert ihr Vater die stürmische Meere zu beruhigen. Romney's Malerei der dramatischen Moment zwischen Prospero und Miranda (in Akt 1, Szene 2), war sein erster Beitrag zur Alderman John boydell gefeiert Shakespeare Gallery. Die größte und schönste bin

• Bildanbieter: The Picture Art Collection / Alamy Stock Foto
• Bild-ID: P0BMM6
• Dateigröße: 14,3 MB (823,5 KB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 1827 x 2735 px | 15,5 x 23,2 cm | 6,1 x 9,1 inches | 300dpi

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Dieses Bild ist ein gemeinfreies Bild. Dies bedeutet, dass entweder das Urheberrecht dafür abgelaufen ist oder der Inhaber des Bildes auf sein Urheberrecht verzichtet hat. Alamy berechnet Ihnen eine Gebühr für den Zugriff auf die hochauflösende Kopie des Bildes.

Dieses Bild kann kleinere Mängel aufweisen, da es sich um ein historisches Bild oder ein Reportagebild handel

. English: 'Miranda (Emma Hamilton). Engraved by Caroline Watson 14 Aug 1809, engraver to Her Majesty, from the original Picture' A print after a painting of Emma Hart, by George Romney. This dramatic sketch shows Emma posing as Miranda, from Shakespeare’s ‘The Tempest’. She looks upwards, lips parted, in an expression of concern and pleading as she urges her father to calm the tempestuous seas. Romney’s painting of the dramatic moment between Prospero and Miranda (in act 1, scene 2), was his first contribution to Alderman John Boydell’s celebrated Shakespeare Gallery. The largest and most ambitious painting he ever completed, it was destroyed in the 1950s and only a few heavily restored fragments now survive. There are however several sketches of Emma as Miranda, for which she sat before her departure for Naples in March 1786. Emma met Romney in 1782, when she was about 16, through her ‘protector’ Charles Greville. Romney was captivated by her beauty and she became his favourite model until Greville passed her on to the protection of his uncle, Sir William Hamilton, the British ambassador to the Kingdom of Naples. They married in 1791, but in 1799 she also became the lover of Admiral Horatio Nelson in an affair that has become legendary. Caroline Watson engraved works by Reynolds and Romney and was engraver to Queen Caroline. The print is inscribed, ‘Engraved by Caroline Watson 14 Aug 1809, (engraver to Her Majesty) from the original Picture’. While this edition of the print is just inscribed ‘Miranda’ a later one bears the title ‘Lady Hamilton as Miranda’. 'Miranda' (Emma Hamilton) . Published 14 April 1809. Caroline Watson; Thomas Payne; after George Romney 5 'Miranda (Emma Hamilton). Engraved by Caroline Watson 14 Aug 1809, engraver to Her Majesty, from the original Picture' RMG PU3234