Der Maler von Florenz Vom dreizehnten bis zum sechzehnten Jahrhundert. n Perugino und die Florentiner Leonardo. Inthese Büsten und Statuen, die so Leben tragen - wie andspeaking Ausdruck, in diesen bewundernswert drawnheads und fein abgerundeten Backen, mit vollen eyesand curly Locks, in der bronze Christi der oder SanMichele, und die schöne Engel des Ufifizi, wehave den Keim der Leonardos Kunst hier, schwach Vorder- in den Meistern Kreationen abgeschattet, finden wir alreadythat Ausdruckskraft und exquisite Gnade whichis das Geheimnis der gelehrten undefinierbaren Charme. Andrea nie verheiratet; seine Kunst war genug t

• Bildanbieter: The Reading Room / Alamy Stock Foto
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The painters of Florence from the thirteenth to the sixteenth century . n Perugino and the Florentine Leonardo. Inthese busts and statues, which wear so life-like andspeaking an expression, in these admirably drawnheads and delicately rounded cheeks, with full eyesand curly locks, in the bronze Christ of Or SanMichele, and the lovely angel of the Ufifizi, wehave the germ of Leonardos art. Here, dimly fore-shadowed in the masters creations, we find alreadythat power of expression and exquisite grace whichis the secret of the scholars indefinable charm. Andrea never married; his art was enough to fillhis whole life, as Leonardo found in his turn, and hispupils were dear to him as his own children. To theone he loved best of all, Lorenzo di Credi, he left, byhis will, the task of finishing the great equestrianstatue of Bartolommeo CoUeoni, which the VenetianSenate had invited him to execute. The work hadbeen given him in 1479, but it was not till the summerof 1488, that his model was finally completed; andjust as he was about to cast the statue in bronze, he. FLORENTINE LADY.(MUSEO POLDI-PEEZOLI, MILAN)—ANDREA VERROCCHIO. [To face page 194 1488] DEATH AT VENICE 195 fell ill and died in Venice. After his death, the taskof casting this statue was given to the Venetiansculptor Leopardi, but his faithful scholar, Lorenzodi Credi, brought home his masters remains toFlorence and buried them in his fathers grave inSan Ambrogio. Chief Works— Florence.—Accademia: 71. Baptism of Christ. , , Ufflii: 3450. Annunciation ; 1204. Pro- file of Lady.Milan.—Mtiseo Poldi-Pezzoli: 21. Profile of Lady.Berlin.—Gallery: 1043. Madonna and Child ; 1614. Profile of Lady.Lonaon. — National Gallery: 276. Madonna and Child with Angels.Vienna.—Lichtenstein Gallery: Portrait of Lady. XVIISANDRO BOTTICELLI 1446-1510 The two separate tendencies which mark the courseof Florentine art during the first half of the fifteenthcentury meet in the person of Sandro Botticelli. Apupil of Lippi and

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• bookcentury1900
• bookdecade1900
• bookyear1901
• buchunterlagenmaler