6016 x 4016 px | 50,9 x 34 cm | 20,1 x 13,4 inches | 300dpi
Aufnahmedatum:
18. August 2018
Ort:
Chennai bronze gallery, India
Weitere Informationen:
Nataraja is a depiction of the Tamil mythology Shaiva Siddhanta as the cosmic ecstatic dancer. His dance is called Tandavam or Nadanta, depending on the context of the dance. The pose and artwork is described in many Hindu texts such as the Anshumadbhed agama and Uttarakamika agama, the dance relief or idol featured in all major Tamil temples of Shaivism. The sculpture is symbolic of Shiva as the lord of dance and dramatic arts, with its style and proportions made according to Hindu texts on arts. It typically shows Shiva dancing in one of the Natya Shastra poses, holding Agni (fire) in his left back hand, the front hand in gajahasta or dandahasta mudra, the front right hand with a wrapped snake that is in abhaya (fear not) mudra while pointing to a Sutra text, and the back hand holding a musical instrument usually a damaru. His body, fingers, ankles, neck, face, head, ear lobes and dress are shown decorated with symbolic items, which vary with historic period and region. He is surrounded by a ring of flames, standing on a lotus pedestal, lifting his left leg (or in rare cases, the right leg) and balancing over a demon shown as a dwarf (Apasmara or Muyalaka) who symbolizes ignorance. The dynamism of the energetic dance is depicted with the whirling hair which spread out in thin strands as a fan behind his head. The details in the Nataraja artwork has been variously interpreted by Indian scholars since the 12th-century for its symbolic meaning and theological essence. As the Lord of Dance, Nataraja, Shiva performs the Ananda Tandava the dance in which the universe is created, maintained, and dissolved.
Ausschließlich für die redaktionelle Nutzung freigegeben.
Verwendung im Zusammenhang mit Nachrichten berichterstattung, Rezensionen und Kritik sowie der Übermittlung von Informationen über Personen, Orte, Dinge, Ereignisse oder Geschehnisse.
Zur Klarstellung: Die redaktionelle Nutzung umfasst keine Nutzung im Zusammenhang mit Werbung, Verkaufsförderung (z. B. verkaufsfördernde Webseiten), Marketing, Verpackung oder Merchandising.
