. Arena Magazin - Band 40. Was seine frühe Umgebung hat, kann auf die Arbeit von Rembrandt, der Millers Sohn: Daß er ein Mühlensohn war, wissen wir.mit dieser Tatsache im Verstand läßt jemand, wenn er Gelegenheit havesomance hat, eine der großen Windmühlen für das Mahlen des Getreides in irgendeiner Provinz der Niederlande betreten. Iiet ihn bemerken die Wirkung des Einschlagens in die dunkle, hohe Innenraum von der breiten Tür. Beachten Sie die Welle des Sonnenscheins, die durch eine schmale Öffnung hoch oben in der Nähe des zweiten Geschosses, fällt athwart dieurious halb-Licht und macht die Atmosphäre, mit Mehl-dus geladen

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. Arena magazine - Volume 40. regard to whateffect his early environment may have hadon the work of Rembrandt, the millers son: That he was a millers son, this we know.With this fact in mind let any one, if he haveopportunity, enter one of the huge windmillsfor the grinding of grain in any province of theNetherlands. Iiet him note the effect of thelight striking into the dim, high interior fromthe wide doorway. Notice the shaft of sun-shine which, entering by some narrow aperturehigh up near the second story, falls athwart thecurious half-light and renders the atmosphere, charged with flour-dust, luminous. The lightis intensified itself by the narrow opening, andintensifies the illumined shadow on beam andrafter. Let him mount the long ladder to thesecond story, and as he descends, note the luminosity of the interior as seen from above.He will, seeing this, realize for the first time, that an impressionable small boy, a millersson, some three hundred years ago, with anartist-soul just ready to germinate within him, . Author of On the Open Road. By permission ofT. Y. Crowell & Company. must have been much in his fathers mill, andthe sensitive brain-films have unconsciouslyreceived impressions of light and its propertieswhich were developed later in his art with suchan intense power of permanence that we ofto-day can but marvel. The truth of this was brought home to meone day as I stood within the great, diminterior of a grain mill on one of the islands ofZeeland. I saw about me, almost, it seemedto me, clairvoyantly for the moment, an earlysource of Rembrandts psychology of light; forit is that. Other artists deal with its physi-ology; Rembrandt alone with the soul of it.Therein lies his apartness. Digitized by Google <502j Our Literary Section: Best Books of the Holiday Season. To New Englanders no town of Hollandshould hold such interest as quaint old Leyden, where in the Church of St. Peter, John Robin-son lies buried; and yet, as Miss Waller pointsout, no memorial

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