. Vogelkunde . 0 Zeichnungen von C. A. Reed Dieses Werk mit seinen prägnanten Beschreibungen von spezifischen Merkmalen, Umfang und Notizen sowie der kol-farbigen Figur jeder Art kann als illustriertes Wörterbuch nordamerikanischer Vögel beschrieben werden. Das einleitende Kapitel und die SystematicTable of North American Birds wurden neu eingerichtet und aktualisiert, und zwei Anhänge wurden hinzugefügt. Die erste enthält Beschreibungen von Arten, die seit der ersten Ausgabe des Farbschlüssels veröffentlicht wurden.die zweite ist eine faunale Bibliographie, die Verweise auf alle wichtigen faunalpapers über No enthält
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. Bird lore . 0 drawings by C. A. Reed This work with its concise descriptions ofspecific characters, range and notes, and col-ored figure of each species, may be well de-scribed as an illustrated dictionary of NorthAmerican birds. The introductory chapter and SystematicTable of North American Birds have been re-set and brought up to date, and two appendiceshave been added. The first contains descrip-tions of species, which have been publishedsince the first edition of the Color Key appeared.The second is a Faunal Bibliography contain-ing references to all the more important faunalpapers on North American birds. The titlesare so arranged that one can readily tell whatare the principal publications relating to thebirds of any given region. The book therefore makes an admirableintroduction to the study of birds and theliterature of ornithology, and at the same timeis an authoritative work of reference. 344 Pages. Cloth, $2. 75 net. Postage 22 cents D. APPLETON & CO. 29-35 West 32d Street NEW YORK. 1. PHAINOPEPLA, Adult Male 4. BOHEMIAN WAXWING, Adult 2. PHAINOPEPLA, Female 5. CEDAR WAXWING. Adult 3. BOHEMIAN WAXWING, Adult 6. CEDAR WAXWING, Young (One-half natural size) A BI-MONTHLY MAGAZINE DEVOTED TO THE STUDY AND PROTECTION OF BIRDS Official Organ of The Audubon Societies Vol. XX May—June, 1918 No. 3 Three Years After* SOME NOTES ON BIRDCRAFT SANCTUARY, FAIRFIELD, CONN.By MABEL OSGOOD WRIGHT 1^HERE are many projects connected with all ethical movements, covering some phases of general nature-study and bird-protection, that are born of waves of enthusiasm and public acclaim and then, lacking both nourishment and practical motive, cease to be. At the public opening of Birdcraft Sanctuary, over three years ago, en-thusiasm there was and much praise for all the details of construction, butcertain ultra-practical folk put the question, Exactly what do you expect toaccomplish in these ten acres that may not be compassed in any similar piece ofground, without so much prepa
