Überprüfung der Bewertungen und der weltweit arbeiten. tume aus seinem Studio, bereit, die Welt, die ihn und seine Kunst toignore Wieder finden wir thesequalities im Porträt eines Mannes begonnen hatte trotzen, ownedby das Metropolitan Museum der Kunst, durch den Katalog verwertungschancen auf 1665, wenn der Rem-Brandt war fünfzig - neun. Dies und die smallerMetropolitan Museum portrait Nr. 106, auch bei fünfzig - neun, halten Bemerkung gestrichen - gekonnt auch in dieser Ausstellung, wie auch das Porträt eines Mädchens (Hendrickje Stoffels?), durch das Art Institute, Chicago. Thiscanvas ist äußerst niedrig im Ton, mehr 10-der als der durchschnittliche Rembrandt. Es gibt?. beau

• Bildanbieter: The Reading Room / Alamy Stock Foto
• Bild-ID: 2AJ81FN
• Dateigröße: 7,1 MB (271,1 KB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 1404 x 1779 px | 23,8 x 30,1 cm | 9,4 x 11,9 inches | 150dpi

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Dieses Bild ist ein gemeinfreies Bild. Dies bedeutet, dass entweder das Urheberrecht dafür abgelaufen ist oder der Inhaber des Bildes auf sein Urheberrecht verzichtet hat. Alamy berechnet Ihnen eine Gebühr für den Zugriff auf die hochauflösende Kopie des Bildes.

Dieses Bild kann kleinere Mängel aufweisen, da es sich um ein historisches Bild oder ein Reportagebild handel

Review of reviews and world's work . tume from his studio, ready to defy the world that had begun toignore him and his art. Again we find thesequalities in the Portrait of a Man, ownedby the Metropolitan Museum of Art, re-ferred by the catalogue to 1665, when Rem-brandt was fifty-nine. This, and the smallerMetropolitan Museum portrait No. 106, also painted at fifty-nine, hold remark-ably well in this exhibition, as does the Portrait of a Girl (Hendrickje Stoffels?), owned by the Art Institute, Chicago. Thiscanvas is exceedingly low in tone, more ten-der than the average Rembrandt. There is?. beautiful play of light and shade about thesubjects head which melts into the back-ground in the most delightful manner. Inthis painting there are no rude passages. A SCORE OF HALS CANVASES. In the portraits by Hals we are first struckwith the display of technical mastery. Halsis an out-and-out virtuoso. There are severalcanvases that show this virtuosity, especially A Boy Playing a Flute and SingingBo3^ These represent Hals magnificent. PORTRAIT OF HIMSELF. BY REMBRANDT. (Owned by Mr. Henry C. Trick. A portrait muchadmired by artists because every brash stroke showsRembrandts understanding of form.) THE HUDSON-HULION ART tXHIBITtUN. 588 power as a sketcher. The Boy with theFlute is a small canvas showing but thehead and hands of an animated musician, and is almost without blemish. It seems asthough pigment and brush could hardly pro-duce more vividly the counterfeit of life.One feels that the artists eye had perfectvision, and that his hand had responded inperfect harmony with that vision. Rem-brandt is rarely a facile workman; in hiswork we see brownish shadows that are notfully defined, tones that have been workedever as though he was never quite sure oftheir correctness; but in this Hals BoyPlaying a Flute it seems as though thepainter from beginning to end obtained his ^^^m «!^^^H ^ 1 1 ? /fl i ? BOY PLAYING A FLUTE, BY FRANS HALS.(Own°rI bj- Mr. K. D. Libbcy ; a mere sketch

Stockbilder mithilfe von Tags suchen

• bookcentury1800
• bookdecade1890
• bookidreviewofrevi
• bookyear1890