. Troilus und Cressida. Seine Entführer. ^Tj^^ji^ h k^= &m1 l^^^^C-^^mm^^^ ich ^^^^^^^^ bin der Elefant so riesig und stronge zu sehen,kein lebensgefährlich erschreckt; aber dachte ein Schlaf zu gaine,aber Feinde zuvor hatte underminde den Baum, und dozine er falles; und so durch sie war Slaine. Von Whitneys Emblems, 1596. II. III. 144. Geben Sie ein; so Folios; Quarto liest, Unterhaltung. III. I. Ill, das Lesen von Folios; ausgelassen in Quarto. III. ii. 70. Ängste; so Folio 3; Quarto, Folios i, 2, Tränen; Folio 4, Tränen. III. ii. 157. Anzeigen; Folios i, 2, 3, shczi= gezeigt. III. III. 4. Durch die Sicht Ibear in Sachen zu lieben; (?) Durch

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. Troilus and Cressida. his captors. ^Tj^^ji^ h k^= &m1 l^^^^C-^^mM^^^ i ^^^^^^^^ The elephant so huge and stronge to see, No perill feard; but thought a sleepe to gaine, But foes before had underminde the tree, And dozine he falles; and so by them was slaine. From Whitneys Emblems, 1596. II. iii. 144. Enter you; so Folios; Quarto reads, entertaine. III. i. Ill, The reading of Folios; omitted in Quarto. III. ii. 70. fears; so Folio 3; Quarto, Folios i, 2, teares;Folio 4, tears. III. ii. 157. show; Folios i, 2, 3, shczi= showed. III. iii. 4. through the sight Ibear in things to love; (?) through my peculiar knowledge asto where it is well to place affec-tion ; Johnson proposed Jove for love, reading, through the sight Ibear in things, to Jove J have aban-doned/ etc., but Jove favoured theTrojans. No very satisfactory ex-planation has been advanced. III. iii. 30. Jn most acceptedpain, = trouble willingly undergone.Hanmer suggested pay for pain. III. iii. 47, 48. pride hath no otherThe allusion seems borrowed. Pride hath no other glass. glass to show itself but pride 168 TROILUS AND CRESSIDA Notes from the emblematic pictures of Pride, common to the Shake-spearian era, one of which, from Kuchleins illustrations of thefestivities at Stuttgart in 1609, is here reproduced. III. iii. no. mirrord, the reading of Singer MS. and CollierMS.; Quarto, Folios, married ; Keightley, arrived ; etc. III. iii. 175. One touch of nature makes the whole world kin, i.e. one touch of human nature, one natural trait, shows the kin-ship of all mankind, viz. that they praise new-born gawds, and arealways hankering after novelty. III. iii. 194. one of Priams daughters, i.e. Polyxena, in theact of marrying whom she was afterwards killed by Paris. III. iii. 303. the fiddler Apollo: In the mythological art of theShakespearian era, the lyre is often replaced by a fiddle in the handsof Apollo as is illustrated in the accompanying cut, copied from avolume descriptive of the festivities held at Antwerp

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• bookauthorshakespe
• bookcentury1900
• bookdecade1900
• bookyear1901