1884 x 1326 px | 31,9 x 22,5 cm | 12,6 x 8,8 inches | 150dpi
Weitere Informationen:
Dieses Bild ist ein gemeinfreies Bild. Dies bedeutet, dass entweder das Urheberrecht dafür abgelaufen ist oder der Inhaber des Bildes auf sein Urheberrecht verzichtet hat. Alamy berechnet Ihnen eine Gebühr für den Zugriff auf die hochauflösende Kopie des Bildes.
Dieses Bild kann kleinere Mängel aufweisen, da es sich um ein historisches Bild oder ein Reportagebild handel
Will Eisner was already famous for his work on The Spirit when he was drafted for duty during World War II. While in the service, Eisner put his artistic talents to work in army publications, creating a character named Joe Dope. After the war, the army wanted to design a publication dedicated to preventive maintenance that soldiers would actually want to read, and turned to Eisner's young company, American Visuals Corporation. Eisner was the artistic director for PS Magazine from its inception in 1951 through 1972. As one of the biggest names in the industry, Eisner attracted some of the best aspiring comic artists. Artists you will find in PS Magazine include: Murphy Anderson (Strange Adventures, Mystery in Space, Adam Strange, The Flash, Green Lantern); Mike Ploog (Creepy, Planet of the Apes, Werewolf by Night, Man-Thing); Don Perlin (Werewolf by Night, Ghost Riders, The Defenders); Dan Spiegle (Space Family Robinson, Mangus, Robot Fighter, Korak); and comic strip artist/writer Andre LeBlanc ("The Phantom, " "Flash Gordon, " "Rex Gordon, MD"). Each issue of PS Magazine consisted of a color comic book style cover, often designed and drawn by Eisner; eight full pages of four color comic continuity story in the middle; and the rest was filled with technical, safety, and policy information printed in two color to save money. The continuity story starred his earlier character and was called "Joe's Dope Sheet." Each episode offers the same cautionary tale: a soldier who ignores preventive maintenance learns of its importance in the end. Eisner commanded a high level of freedom to create the continuity section and he used his colorful comic style to draw the reader in
