Blick auf die Türme der Basílica i Temple Expiatori De La Sagrada Família, das ist eine große römisch-katholische Kirche in Barcelona, entworfen von Katalanisch S
4608 x 3072 px | 39 x 26 cm | 15,4 x 10,2 inches | 300dpi
Aufnahmedatum:
16. September 2016
Ort:
Sagrada Familia, Barcelona, Spain
Weitere Informationen:
View of the towers of the Basílica i Temple Expiatori de la Sagrada Família that is a large Roman Catholic church in Barcelona, designed by Catalan Spanish architect Antoni Gaudí (1852–1926). Gaudí's work on the building is part of a UNESCO World Heritage Site, and in November 2010 Pope Benedict XVI consecrated and proclaimed it a minor basilica, as distinct from a cathedral, which must be the seat of a bishop. Construction of Sagrada Família commenced in 1882 by architect Francisco Paula de Villar with Gaudí becoming involved in 1883 after Francisco resigned as the head architect. Taking over the project, Gaudí transformed it with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted his last years to the project, and at the time of his death at age 73 in 1926, less than a quarter of the project was complete.[9] Sagrada Familia's construction progressed slowly, as it relied on private donations and was interrupted by the Spanish Civil War, only to resume intermittent progress in the 1950s. Construction passed the midpoint in 2010 with some of the project's greatest challenges remaining[9] and an anticipated completion date of 2026, the centenary of Gaudí's death. The basílica has a long history of dividing the citizens of Barcelona: over the initial possibility it might compete with Barcelona's cathedral, over Gaudí's design itself, over the possibility that work after Gaudí's death disregarded his design, and the 2007 proposal to build an underground tunnel of Spain's high-speed rail link to France which could disturb its stability. Describing Sagrada Família, art critic Rainer Zerbst said, "It is probably impossible to find a church building anything like it in the entire history of art" and Paul Goldberger describes it as, "The most extraordinary personal interpretation of Gothic architecture since the Middle Ages.
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