Sir Giles Gilbert Scott OM RA FRIBA, 1880-1960, britischer Architekt, kreisförmiges Mosaik auf dem Boden der Liverpool Anglican Cathedral, Merseyside, Großbritannien, L1 7AZ
5472 x 3648 px | 46,3 x 30,9 cm | 18,2 x 12,2 inches | 300dpi
Aufnahmedatum:
1. April 2023
Ort:
Liverpool Anglican Cathedral, St James Mt, Church of England Cathedral of the Diocese of Liverpool,
Weitere Informationen:
Sir Giles Gilbert Scott OM RA FRIBA (9 November 1880 – 8 February 1960) was a British architect He was noted for his blending of Gothic tradition with modernism, making what might otherwise have been functionally designed buildings into popular landmarks. Born in Hampstead, London, Scott was one of six children and the third son of George Gilbert Scott Jr. and his wife, Ellen King Samson. His father was an architect who had co-founded the architecture and interior design company Watts & Co. in 1874. His paternal grandfather was Sir (George) Gilbert Scott, a more famous architect, known for designing the Albert Memorial and the Midland Grand Hotel at St Pancras Station In 1901, while Scott was still a pupil in Moore's practice, the diocese of Liverpool announced a competition to select the architect of a new cathedral. Two well-known architects were appointed as assessors for an open competition for architects wishing to be considered. G. F. Bodley was a leading exponent of the Gothic revival style, and a former pupil and relative by marriage of Scott's grandfather In 1903, the assessors recommended that Scott should be appointed. There was widespread comment at the nomination of a 22-year-old with no existing buildings to his credit. In 1910 Scott realised that he was not happy with the main design, which looked like a traditional Gothic cathedral in the style of the previous century. He persuaded the cathedral committee to let him start all over again (a difficult decision, as some of the stonework had already been erected) and redesigned it as a simpler and more symmetrical building with a single massive central tower instead of the original proposal for twin towers. Scott's new plans provided more interior space. At the same time Scott modified the decorative style, losing much of the Gothic detailing and introducing a more modern, monumental style
