RUISDAEL, Jacob Isaackszon van (*ca. 1628, Haarlem, d. 1682, Amsterdam) Blick auf Haarlem mit Bleichgrund c 1665 Öl auf Leinwand, 62,2 x 55,2 cm Kunsthaus, Zürich aus den späten 1660er Jahren sind viele Ansichten der niederländischen Landschaft in ihren verschiedenen Aspekten von Ruisdael aus erster Hand. Das Meer, das Ufer, die weiten fruchtbaren Ebenen werden heute neben den Wäldern und Wasserfällen zu wichtigen Themen, und sie werden immer unter einem majestätischen Himmel gesehen. In seinem Panoramablick auf Haarlem mit seinen Bleichanlagen, die bis in die 70er Jahre andauern, spürt man die Hand des Meisters in der Kraft und trügerischen Einfachheit

• Bildanbieter: Carlo Bollo / Alamy Stock Foto
• Bild-ID: 2Y5K17Y
• Dateigröße: 38,5 MB (1,1 MB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 3468 x 3880 px | 29,4 x 32,9 cm | 11,6 x 12,9 inches | 300dpi

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Dieses Bild kann kleinere Mängel aufweisen, da es sich um ein historisches Bild oder ein Reportagebild handel

RUISDAEL, Jacob Isaackszon van (b. ca. 1628, Haarlem, d. 1682, Amsterdam) View of Haarlem with Bleaching Grounds c 1665 Oil on canvas, 62, 2 x 55, 2 cm Kunsthaus, Zurich Of about the late 1660s are many firsthand views of the Dutch landscape in its various aspects by Ruisdael. The sea, the shore, the vast fertile plains now become important subjects side by side with the woods and waterfalls, and they are always seen under a majestic sky. In his panoramic views of Haarlem with its bleaching grounds, which continue into the seventies, the master's hand is felt in the strength and deceptive simplicity of the compositions. Bleaching fields were familiar sights in his time. After brewing, bleaching linen manufactured in Holland and unbleached cloth imported from England, Germany, and the Baltic countries was Haarlem's major industry. Jacob's 'Haarlempjes' - as they were called in his day - appeal to us because they offer what is now accepted as the most characteristic view of the Dutch countryside while achieving an unparalleled degree of openness and height. The one at Zurich, a summit of Jacob's achievement, is an exemplar of the type. Its sky, as the skies in most of them, takes up more than two thirds of the canvas, but the impression of height is increased here by the vertical format, and still more by the dominant part the towering, strongly modelled clouds play in the awe-inspiring aerial zone. The prospect of the plain is shown from an exceptionally distant and elevated point of view. As a result there is a reduction in both in scale and in overlappings of the watery dunes, woods, and tracts of land. The firm cohesion of the great cloudy sky gains in mass and significance from its relations to the diminutive forms. The eye can explore here - more than in most other 'Haarlempjes' - the vast expanse of the land richly differentiated by the gradations of alternating bands of light and shadow into the distance toward a horizon stretched taut as sinew. --- Key

Stockbilder mithilfe von Tags suchen

• 1600
• 1600s
• 17 jh
• holländisches goldenes zeitalter
• jacob isaacszon van
• landschaftsmalerei
• niederländischer maler
• ruysdael