RUISDAEL, Jacob Isaackszon van (*ca. 1628, Haarlem, d. 1682, Amsterdam) Ansicht von Amsterdam - Öl auf Leinwand, 52,5 x 43,5 cm Museum der Schönen Künste, Budapest das Gemälde ist rechts unten mit Monogramm signiert. Jacob van Ruisdael trat in die Fußstapfen seines Onkels Salomon und wurde Landschaftsmaler; tatsächlich war er einer der produktivsten und bedeutendsten niederländischen Landschaftsmaler. Sein Themenspektrum war breiter als das seines Onkels und der niederländischen Landschaftsmaler im Allgemeinen. Er stellte die eher düsteren Dünen und flachen, grünen Felder sowie Städte, Waldszenen und Wasserfälle dar;

• Bildanbieter: Carlo Bollo / Alamy Stock Foto
• Bild-ID: 2Y5K17W
• Dateigröße: 30,9 MB (1,5 MB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 3004 x 3600 px | 25,4 x 30,5 cm | 10 x 12 inches | 300dpi

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Dieses Bild kann kleinere Mängel aufweisen, da es sich um ein historisches Bild oder ein Reportagebild handel

RUISDAEL, Jacob Isaackszon van (b. ca. 1628, Haarlem, d. 1682, Amsterdam) View of Amsterdam - Oil on canvas, 52, 5 x 43, 5 cm Museum of Fine Arts, Budapest The painting is signed at bottom right with monogram. Jacob van Ruisdael followed in the footsteps of his uncle, Salomon, and became a landscape painter; indeed, he was one of the most prolific and important of Dutch landscape painters. His range of subjects was wider than that of his uncle and of Dutch landscape painters in general. He depicted the rather gloomy dunes and flat, green fields as well as towns, forest scenes and waterfalls; he painted a Jewish cemetery on the outskirts of a town, fishing boats at sea, tracts of marshland with trees and views of seaports, always finding the manner most suited to a particular theme, time of day, kind of weather or type of landscape. No other artist has matched the susceptibility with which he interpreted the peculiar atmospheric phenomena of the Netherlands. Unlike the Italian and French landscape painters, Ruisdael followed the practice of Dutch masters in always painting the real inhabitants of a particular landscape - for him the countryside was a setting for human beings, not mythical heroes. The farmsteads nestling among the trees housed Dutch peasants, on the fishing boats Dutch fishermen are seen earning their daily bread, and it is not disguised Greek deities but shepherds who are seen minding the sheep. From 1656 on Ruisdael worked in Amsterdam, and this was the period when he painted the picture in Budapest - a view of the Binnenamstel, with a sandy road meandering by the water's edge, and a rosy church spire, the tower of the Zuiderkerk, rising high above the city. --- Keywords: -------------- Author: RUISDAEL, Jacob Isaackszon van Title: View of Amsterdam Time-line: 1651-1700 School: Dutch Form: painting Type: landscape

Stockbilder mithilfe von Tags suchen

• 1600
• 1600s
• 17 jh
• holländisches goldenes zeitalter
• jacob isaacszon van
• landschaftsmalerei
• niederländischer maler
• ruysdael