Raphael. executedunder seine Richtungen, als als Master whois zu Verantwortlich für die workingout der jedes Detail in den Arbeiten, die von seinen Bottega mit seinem sanc wereturned-, und unter seinem Namen. Auch in der earlyyears seiner römischen Zeit, comparativelyfew der Altarbilder und Staffelei picturescommissioned von ihm waren völlig Arbeiten seiner Bürste. Im allseits beliebten Madonna della Sedia, an der Pitti Palace, haben wir reine Raphael, auch bekannt als Madonna themasterpiece diFoligno, die für die päpste Platte VII.-Putto mit Kranz das Fresko einer puttOt jetzt gemalt wurde

• Bildanbieter: The Reading Room / Alamy Stock Foto
• Bild-ID: 2ANEAK8
• Dateigröße: 7,1 MB (439 KB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 1041 x 2399 px | 17,6 x 40,6 cm | 6,9 x 16 inches | 150dpi

Weitere Informationen

Dieses Bild ist ein gemeinfreies Bild. Dies bedeutet, dass entweder das Urheberrecht dafür abgelaufen ist oder der Inhaber des Bildes auf sein Urheberrecht verzichtet hat. Alamy berechnet Ihnen eine Gebühr für den Zugriff auf die hochauflösende Kopie des Bildes.

Dieses Bild kann kleinere Mängel aufweisen, da es sich um ein historisches Bild oder ein Reportagebild handel

Raphael . executedunder his directions, than as a master whois to be held responsible for the workingout of every detail in the works which wereturned out from his bottega with his sanc-tion, and under his name. Even in the earlyyears of his Roman period, comparativelyfew of the altar-pieces and easel picturescommissioned from him were entirely thework of his brush. In the ever popular Madonna della Sedia, at the Pitti Palace, we have pure Raphael, and also in themasterpiece known as the Madonna diFoligno, which was painted for the Popes PLATE VII.—PUTTO WITH GARLAND The fresco of a puttOt now at the Academy of St. Luca inRome, is the only fragment that is left to the world of all thedecorative work executed by Raphael for the corridor leading fromthe famous Stanze of the Vatican to the Belvedere. It probablybelonged to a shield bearing the papal arms, and is a graceful andcharacteristic example of the masters treatment of the form ofchildren which he loved to introduce into his compositions.. RAPHAEL 6i Chamberlain Sigismondi dei Conti, for hisfamily chapel in the church of Ara Coeliin 1512, in commemoration of this dignitarysescape from a bursting fireball, as is indi-cated by the meteor in the landscape back-ground. This picture was subsequentlyremoved to Sigismondos birthplace Foligno, whence it was carried off by the Frenchin 1797, but had to be eventually restored, and is now among the treasures of theVatican. The sadly deteriorated Madonnaof the Tower, at the National Gallery, andthe Madonna di Casa dAlba, at the Her-mitage, are probably of the masters ownexecution; but Giulio Romano and otherpupils must be held responsible for theVierge au Diad^me, the Madonna deldivino Amore, the Garvagh Madonna, the Madonna of the Fish, the Madonnaof the Candelabra, and several other well-known pictures for which Raphael hadsupplied the designs. 62 RAPHAEL IV A letter written by Raphael to his uncleSimone Ciarla on the ist of July 1514 is ofincalculable importance for the li

Stockbilder mithilfe von Tags suchen

• book
• bookcentury1900
• bookdecade1900
• booksubjectraphael14831520