Porträt zweier Kinder. Elliott & Fry, Fotograf (gegründet 1863, aufgelöst 1963) um 1863–1870 dieses Foto befindet sich in einem Album, das Seiten von Cartes-de-Visite mit ganzseitigen Fotocollagen vermischt. Viktorianische Kollagisten nahmen ihr fotografisches Material hauptsächlich aus Cartes-de-Visite. Die 1854 von André Adolphe Eugène Disdéri patentierte Carte-de-Visite wurde leicht und kostengünstig gedruckt (84.XD.1157.2179). In den 1860er Jahren hatte sich Cartomania durchgesetzt. Es wurde üblich, Cartes-de-Visite bei sozialen Anrufen auszutauschen. Diese kleinen Studio-Porträts messen ca. 3 ½ x 1/8 Zoll, etwa die Größe

• Bildanbieter: piemags/GB24 / Alamy Stock Foto
• Bild-ID: 2WT0NY4
• Dateigröße: 7,4 MB (441,2 KB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 1365 x 1899 px | 23,1 x 32,2 cm | 9,1 x 12,7 inches | 150dpi

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Dieses Bild kann kleinere Mängel aufweisen, da es sich um ein historisches Bild oder ein Reportagebild handel

Portrait of two children. Elliott & Fry, photographer (founded 1863, dissolved 1963) about 1863–1870 This photograph sits in an album that intermixes pages of cartes-de-visite with full-page photocollages. Victorian collagists took their photographic materials primarily from cartes-de-visite. Patented by André Adolphe Eugène Disdéri in 1854, the carte-de-visite was easily and inexpensively printed (84.XD.1157.2179). By the 1860s, _cartomania _ had taken hold. It became customary to exchange cartes-de-visite on social calls. These small studio portraits measure 3 ½ x 2 1/8 inches, about the size of a playing card. It is not known whether they removed the photographs from the thick cardstock on which they had been mounted or obtained unmounted prints from the photographer. People also collected cards of the royal family, actors, and politicians (see for example, the image of Princess Christina of the United Kingdom found in this album). A woman’s collection of cartes-de-visite visually displayed her social circle and favorite celebrities The cartes-de-visite could be inserted in specially manufactured album pages that came with slots. Carolyn Peter, J. Paul Getty Museum, Department of Photographs 2021 For more information about this album see the extended essay. (Recto, mount) lower left, red imprinted text: "ELLIOTT & FRY"; lower right, red imprinted text: "55, BAKER ST. W"; (Verso, mount) center, red maker's imprint: "ELLIOTT & FRY, /55, BAKER STREET, /PORTMAN SQUARE"; lower left, red imprinted text: "No. 22914 [number in pencil]";