Pen Fotografien von Charles Dickens Lesungen. tSmike nicht erbärmlich genug, und Seine monotone voicefrequently verkommt zu einem Jammern. Diese Voice stellt sich undoubt - Zweifel von Dickenss desu* e Smike eine distinctindividuality zu geben, und die Intonation von einem Char zu verhindern - acter aus auf das eines anderen eingreift. Tliis indi-viduality Er bewahrt. Es ist nicht der atrace Squeerses, oder der Mckleby, oder der Browdie init, aber die monotoner Intonation ist unnatürlich, und daher unwürdig von Dickens, dessen beste Art und Weise ist thoroughnaturalness. Dickens könnte mehr Vielfalt zu geben

• Bildanbieter: The Reading Room / Alamy Stock Foto
• Bild-ID: 2AN95C0
• Dateigröße: 7,1 MB (500,5 KB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 1370 x 1824 px | 23,2 x 30,9 cm | 9,1 x 12,2 inches | 150dpi

Weitere Informationen

Dieses Bild ist ein gemeinfreies Bild. Dies bedeutet, dass entweder das Urheberrecht dafür abgelaufen ist oder der Inhaber des Bildes auf sein Urheberrecht verzichtet hat. Alamy berechnet Ihnen eine Gebühr für den Zugriff auf die hochauflösende Kopie des Bildes.

Dieses Bild kann kleinere Mängel aufweisen, da es sich um ein historisches Bild oder ein Reportagebild handel

Pen photographs of Charles Dickens's readings . tSmike is not pathetic enough, and his monotonous voicefrequently degenerates into a whine. This voice undoubt-edly arises from Dickenss desu*e to give Smike a distinctindividuality, and to prevent the intonation of one char-acter from encroaching upon that of another. Tliis indi-viduality he most certainly preserves. There is not atrace of the Squeerses, or of Mckleby, or of Browdie init, but the monotonous intonation is unnatural, and there-fore unworthy of Dickens, whose best manner is thoroughnaturalness. Dickens could give more variety of tone andstill keep Smike intact, and had he but this one charac-ter to assume, it would undoubtedly be vastly better car-ried out. At the same time it must be confessed thatthe finest Smike known thus far could not embody theseven remaining dramatis pcrsoncc, whose idiosyncrasiesDickens puts on as easily as he would put on old gloves.It is this versatility that almost silences criticism; yetloyalty to art demands the noting of spots upon thesun.. o Q< mo Q THE STORY OF LITTLE DOJVIBEY. 63 THE STOEY OF LITTLE DOMBEY. /^HAKLES DICKENS is only a caricaturist. And^-^ he wrote the story of Eichard Doubledick, thepoor soldier, which, for naturalness and pathos, is un-ri^alled in the English language. Charles Dickens isonly a liumorist. And one half of his creations is astragic as the other half is comic. Charles Dickens isonly a farce actor. And the tears are stiU fresh thatfell in listening to The Story of Little Domhey. Ah, well! whoever escapes being misinterpreted, likewise es-capes being head and shoulders above his fellows. Whowears a crown at all must wear a crown of thorns. Dickenss Eeading of Little Dombey is peculiar; forwdiile the tragic element enters largely into several otherEeadiugs, still laughter holds the balance of power.Every chapter of Little Dombey, on the contrary, is writ-ten in a minor key. Here and there scherzos are inter-spersed ; but the voice of the old

Stockbilder mithilfe von Tags suchen

• bookcentury1800
• bookdecade1870
• booksubjectbritish
• buchjahr1871