Kupplung. Kultur: Mexikanische. Datum: 1830-50. Trotz der unverhältnismäßig hohen Zahlen der Mann und die Enten auf dem Gesicht von dieser Tasche, insgesamt ist das Design zeigt eine ausgezeichnete Verwendung von Farbe und gute Reichweite der Perspektive. Wahrscheinlich professioneller machen, es ist ein Teil der mexikanischen beadwork Sammlung von über 600 Stück montiert von Elizabeth Morrow (1873-1955), Mutter der Schriftstellerin Anne Morrow Lindbergh, die Frau des berühmten Flieger Charles Lindbergh. Morgen gesammelt, die Objekte zwischen 1927 und 1930, als ihr Mann, Dwight Morrow, Sr., als US-Botschafter in Mexiko serviert. Sie verlieh der Sammlung in die

• Bildanbieter: Album / Alamy Stock Foto
• Bild-ID: PAPAF7
• Dateigröße: 46,9 MB (2,6 MB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 4200 x 3901 px | 35,6 x 33 cm | 14 x 13 inches | 300dpi
• Fotograf: Album

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Clutch. Culture: Mexican. Date: 1830-50. Despite the disproportionate figures of the man and the ducks on the face of this bag, overall the design displays an excellent use of color and good grasp of perspective. Probably of professional make, it is part of the Mexican beadwork collection of over 600 pieces assembled by Elizabeth Morrow (1873-1955), mother of writer Anne Morrow Lindbergh, the wife of renowned aviator Charles Lindbergh. Morrow collected the objects between 1927 and 1930, when her husband, Dwight Morrow, Sr., served as U.S. ambassador to Mexico. She lent the collection to the Brooklyn Museum in 1938 and upon her death, her children donated it. A collection of 155 pieces of Mexican ceramics and other decorative arts were given to Amherst College, her husband's alma mater. Mrs. Morrow collected Mexican beadwork, along with other examples of colonial and native arts, to decorate their country home in Cuernavaca in order to promote a more peaceful image of that country through its works. The Morrows sought to overturn the perception of post-revolutionary Mexico as a violent and unstable nation by highlighting the richness and diversity of its colonial, folk, and contemporary art. Glass beads were originally imported to New Spain (Mexico) from Italian and Asian sources via Spanish colonial trade routes. By the early part of the nineteenth century, Spain had suffered the loss of almost all of its colonies and with the succeeding establishment of free trade British ships undertook the importation of beads to Mexico. Many of the design influences on the bags and cases in the collection came from Europe; patterns for beadwork designs came from contemporary fashion publications such as "La Dama Elegante.". Museum: Metropolitan Museum of Art, New York, USA.

Stockbilder mithilfe von Tags suchen

• 19th century en
• 2. jahrtausend ad
• brooklyn museumskostümsammlung
• costume institute
• die seide
• glas
• linnen
• metropolitan museum of art
• mexiko
• new york
• nord und zentralamerika