High Strung ... Irlands vergoldete Harfe und eine goldene Dame: Detail des schmiedeeisernen Tijou Screen im königlichen Palast von Hampton Court im Londoner Stadtteil Richmond-upon-Thames, England, Großbritannien. Die 12 Tafeln aus kunstvollen Metallarbeiten am Rand der Themse wurden 1690 von dem französischen Hugenottenschmied Jean Tijou (um 1650 bis um 1712) für die neuen gemeinsamen Monarchen Wilhelm III. Und Maria II. Geschaffen
2832 x 2832 px | 24 x 24 cm | 9,4 x 9,4 inches | 300dpi
Aufnahmedatum:
30. September 2010
Ort:
Hampton Court, East Molesey, Surrey, England, UK
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Dieses Bild kann kleinere Mängel aufweisen, da es sich um ein historisches Bild oder ein Reportagebild handel
Hampton Court Palace, in the London Borough of Richmond-upon-Thames, England, UK: a gilded winged lady bends her back to an Irish harp with metal strings, in this square format view of wrought and hammered ironwork symbolising Ireland in the Tijou Screen, 12 elaborate panels bordering the re-created Privy Garden at Hampton Court Palace, former home of English royalty beside the River Thames. The screen is named after French Huguenot master blacksmith Jean Tijou. He made it in 1690 for his new royal patrons, joint English monarchs William III and Mary II, and it was installed in 1701, first in the Fountain Garden and later at the southern or river end of the Privy Garden. In the far background is the stately Baroque palace designed in 1689 by Sir Christopher Wren to house new royal state rooms and private apartments. Wren's design massively extended the original Tudor palace built in the early 1500s for Cardinal Thomas Wolsey and later used by King Henry VIII. Jean Tijou (c.1650 - c.1712) landed in England in about 1689. Away from Hampton Court, he made screens and grilles for London's St Paul's Cathedral and also worked at Kensington Palace and at country houses such as Easton Neston, Burghley and Marlborough. At Chatsworth, he made a grand staircase balustrade and the Golden Gates. Tijou's designs and technique of overlaying iron structures with lavish Baroque sheet metal greatly influenced English metalworking. His 'A new Booke of Drawings, Invented and Desined by John Tijou', published in 1693, was the first English book on ironwork. The Tijou Screen at Hampton Court has been stripped, repaired, repainted and re-gilded many times, although modern research has revealed that the ironwork was originally painted grey, with no gold traces among samples of the original layers. Since Tijou's day, his screens have also been painted dark green or black. D1113.B3287.A
