Figur aus einem Crèche: Jungfrau Maria, 1780-1830. Die Praxis der Erstellung von Szenen der Geburt für das Haus stammt aus den frühen 1700er Jahren in Italien, wo die Leute begannen, Puppe - wie Figuren von etwa einem Fuß oder weniger in der Höhe. Die benutzerdefinierte war besonders populär in Neapel um 1800, wo Crèche Szenen (Crèche bedeutet, Wiege oder Kinderbett) enthalten viele Figuren, deren Köpfe und Hände aus bemalter Terrakotta, gefüllte Tuch, Körper und Kleidung aus der zeitgenössischen lokalen Kostüme gab Ihnen eine verblüffend realistischen Charakter. Darstellungen von der Geburt Jesu an die Fi verfolgt werden

• Bildanbieter: Heritage Image Partnership Ltd / Alamy Stock Foto
• Bild-ID: 2A530JP
• Dateigröße: 70,6 MB (3,4 MB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 4305 x 5731 px | 36,4 x 48,5 cm | 14,4 x 19,1 inches | 300dpi
• Fotograf: Heritage Art/Heritage Images

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Dieses Bild kann kleinere Mängel aufweisen, da es sich um ein historisches Bild oder ein Reportagebild handel

Figure from a Crèche: Virgin Mary, 1780-1830. The practice of creating scenes of the Nativity for the home dates from the early 1700s in Italy, where people began to set up doll-like figures of about a foot or less in height. The custom was particularly popular in Naples around 1800, where crèche scenes (crèche means cradle, or crib) included many figures, whose heads and hands of painted terracotta, stuffed cloth bodies, and clothing adapted from contemporary local costumes gave them an amazingly realistic character. Representations of the birth of Jesus can be traced to the first few centuries of Christianity. Both living creatures and sculptural depictions of them were used from early times. By the late middle ages it was customary to create life-size figures of wood or stone, naturalistically painted, to represent the characters who participated in the events of Jesus's early life. These sculptures were then arranged in scenes illustrating one or both of the most important of these events, the Adoration of the Shepherds and the Adoration of the Magi-the three kings from the East who came to pay homage to the Christ child. Used in churches, these large figures were especially popular in Italy, Central Europe, Spain, and Portugal. This Object in Focus presentation was organized by Henry Hawley, Curator of Renaissance and Later Decorative Arts and Sculpture.

Stockbilder mithilfe von Tags suchen

• bemaltes holz und terrakotta mit verschiedenen textilien
• das cleveland museum der kunst
• erbe kunst
• italien
• naples
• sculpture
• unbekannt