Design für ein Chinesisches Lackkabinett. Artist: Anonym, Deutschen, 18. Jahrhundert; Art und Weise von Martin Schnell (Central European, Bremen Ca. 1675-1740 Dresden (?)). Maße: Blatt: 15 13/16 x 12 3/16 in. (40,2 x 30,9 cm). Datum: Ca. 1720-30. Dieses Design für ein lackkabinett spiegelt das europäische Interesse im Orient, die im 17. Jahrhundert entstanden, wenn Handelswege nach Osten wurden mehr und mehr frequentiert. Vor allem während der späten Barock und Rokoko, Designs, die von der asiatischen Kunst inspiriert wurden im Innenraum und Lack arbeiten Möbel integriert, oder Nachahmungen davon in hig Waren

• Bildanbieter: Album / Alamy Stock Foto
• Bild-ID: PB1JYP
• Dateigröße: 33,5 MB (1,3 MB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 3061 x 3829 px | 25,9 x 32,4 cm | 10,2 x 12,8 inches | 300dpi
• Fotograf: Album

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Dieses Bild kann kleinere Mängel aufweisen, da es sich um ein historisches Bild oder ein Reportagebild handel

Design for a Chinese-style Lacquer Cabinet. Artist: Anonymous, German, 18th century; Manner of Martin Schnell (Central European, Bremen ca. 1675-1740 Dresden (?)). Dimensions: sheet: 15 13/16 x 12 3/16 in. (40.2 x 30.9 cm). Date: ca. 1720-30. This design for a lacquer cabinet reflects the European interest in the Orient, which emerged in the 17th-century when trade routes to the East were more and more frequented. Especially during the late Baroque and Rococo periods, designs inspired by Asian art were incorporated in the interior and lacquer work furniture, or imitations thereof, were in high demand. In the German speaking regions, where this design was made, there were two main centers of lacquer work production in the early 18th century: one in Berlin led by the Flemish artist Gerard Dagly (Flemish, Spa 1660-1715 Berlin), and one in Dresden run by Dagly's pupil, Martin Schnell (Bremen, ca. 1675 - 1740 Dresden (?)). The design of this cabinet is so close to certain pieces produced by the latter, that it seems likely to have been made in Dresden, possibly even in the workshop of Schnell himself. The drawing, which seems to have been made to enthuse a client, is particularly interesting because it contains contemporary inscriptions which describe the execution of the piece in great detail. The cabinet was to be executed in lacquer work and was painted on all four sides. The interior of the cabinet counted 15 drawers, all of which were painted as finely as the exterior of the cabinet. The base color was black, while the landscapes were executed in various colors and finished with gold paint. The metal mounts were all fire-gilded and decorated with enamel. In most cases, a customer would buy not one, but two identical or very similar cabinets, which would be placed in a symmetrical arrangement against the wall. Museum: Metropolitan Museum of Art, New York, USA.

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• 15 13/16 x 12 3/16
• 1675-1740
• 17 jh
• 1720-30
• 18 jahrhundert
• 2. jahrtausend ad
• 40,2 30,9 cm
• anonymus
• arbeit
• art und weise von martin schnell
• asiatische kunst
• blatt
• bremen ca
• brown wash
• cad
• de sign
• designs inspiriert
• deutsch
• dresden
• emerged
• europa
• europäisches interesse
• frequentiert
• grau
• handelswege
• hohe nachfrage
• inerior
• inken
• inkorporiert
• lackschrank im chinesischen stil
• lacquer cabinet
• metropolitan museum of art
• mitteleuropaeisch
• mobel
• nachahmungen davon
• new york
• orient
• osten
• pen and black ink
• pinsel und grau und braun waschen
• pistel
• rokoko perioden
• schreibfeder
• schwarze tusche
• spätbarock
• widerspiegelt
• zeichnungen
• zeichnungen und drucke
• zumal