. Das Leben Der britische Bildhauer, und diejenigen, die in England von den frühesten Tagen gearbeitet haben, Sir Francis Chantrey. sagt: Sie erwarten nicht zu hören, dass ich beschränkt haben sieben Wochen auf diesen Tag zu myroom. Ich habe einen schrecklichen Kampf hatte, aber bin jetzt Ausbessern so schnell wie der sehr schlechten weatherwill lassen Sie mich. Ich bitte Sie, keine Rede von machen, damit es nicht mein Ohr erreichen sollte; Sie supposesI eine Kleinigkeit kalte gehabt haben. In den folgenden Jahr hepaid seinen zweiten Besuch in Paris, in Gesellschaft mit seiner Frau, Mr. Alexander und Stothard den Maler. Jones, diese inrecording, Bemerkungen: Er gab viel Aufmerken

• Bildanbieter: The Reading Room / Alamy Stock Foto
• Bild-ID: 2AFYT6R
• Dateigröße: 7,2 MB (682,3 KB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 1233 x 2027 px | 20,9 x 34,3 cm | 8,2 x 13,5 inches | 150dpi

Weitere Informationen

Dieses Bild ist ein gemeinfreies Bild. Dies bedeutet, dass entweder das Urheberrecht dafür abgelaufen ist oder der Inhaber des Bildes auf sein Urheberrecht verzichtet hat. Alamy berechnet Ihnen eine Gebühr für den Zugriff auf die hochauflösende Kopie des Bildes.

Dieses Bild kann kleinere Mängel aufweisen, da es sich um ein historisches Bild oder ein Reportagebild handel

. The lives of the British sculptors, and those who have worked in England from the earliest days to Sir Francis Chantrey. says: Youwill not expect to hear that I have been confined to myroom seven weeks this day. I have had a terrible bout, but am now mending as fast as the very bad weatherwill let me. I beg of you not to make any talk of this, lest it should reach my mothers ears ; she supposesI have had a trifling cold. In the following year hepaid his second visit to Paris, in company with his wife, Mr. Alexander, and Stothard the painter. Jones, inrecording this, remarks: He gave much attention tothe works which then graced the Louvre ; those ofRaphael gave him the most satisfaction, from the grandeurof the outline, the fulness of the parts, the pathos andforce of the whole. Titian excited his admiration forhis colour and chiaroscuro, and in particular, TheEntombment, which he always spoke of as a pre-eminentwork, yet not so excelling as to disparage the subjects * At a later date he produced, at his own request, one of Lord Meadow-bank himself. ?j- Letter to Rev. P. Inchbald, dated December 23, 1809.. zw Q u o z I—IPL, LtJ > cn Z 3 pq CHANTREY 279 of * Christ at Emmaus, and the Deriding of the Saviour, by the same hand ; if works were not of first-rate qualityhe gave them little attention. In 1816 Chantrey was elected an A.R.A., and in thefollowing year, besides a number of busts—of Nollekens, Sir James Clarke, Hookham Frere, Bird the painter, and Bone the enamelist, among others—he producedwhat was destined to be one of his most, if not his most, famous work, The Sleeping Children, in LichfieldCathedral. This remarkable piece of sculpture represents the twoyoung children of the Rev. William Robinson, and hadits origin in the following circumstances, thus recordedby Mr. Hawkins, as a result of a conversation he hadwith Chantrey, in 1833: Nicholson, the drawing-master, taught Mrs. Robinson and her two children.Not long after the death of Mr. Robinson, the eld

Stockbilder mithilfe von Tags suchen

• bookcentury1900
• bookdecade1910
• bookpublishe
• bücher subjektkünstler