Dämonen - FAUST - Dämon Faust und sein Diener, Wagner watch die Possen des schwarzen Pudel, die Sie in einer spiralförmigen Spur nähert, mit Strömen von Feuer Erteilung von Tatzen. Ein paar Minuten früher, Faust wurde in dem Wunsch, den Kontakt mit der geistigen Welt zu machen. Wagner hatte ihn 'Nicht anrufen, dass Host der Geister, die die Atmosphäre wie ein Füllen, und tausend Gefahren für manÃ'Gravur Nr. 2 in Umrisse Goethes Faust vorbereiten empfohlen. Gezeichnet von Moritz Retsch, 1836. Es gab zwei verschiedene frühe Ausgaben des Retsch Serie von Zeichnungen zu Goethes Faust spielen. Die fin

• Bildanbieter: Charles Walker Collection / Alamy Stock Foto
• Bild-ID: MC87C2
• Dateigröße: 31,2 MB (897,8 KB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 3765 x 2896 px | 31,9 x 24,5 cm | 12,6 x 9,7 inches | 300dpi
• Aufnahmedatum: 13. April 2018
• Fotograf: Charles Walker Collection

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Dieses Bild kann kleinere Mängel aufweisen, da es sich um ein historisches Bild oder ein Reportagebild handel

DEMONS - FAUST - DEMON Faust and his servant, Wagner watch the antics of the black poodle, which approaches them in a spiral track, with currents of fire issuing from its paws. A few minutes earlier, Faust has been desiring to make contact with the spiritual world. Wagner had advised him 'Do not call down that host of spirits, who fill the atmosphere like a stream, and prepare a thousand dangers for manÍ' Engraving No. 2 in Umrisse Goethe's Faust. Gezeichnet von Moritz Retsch, 1836. There were two distinct early editions of the Retsch series of drawings for Goethe's play, Faust. The finest was Umrisse Goethe's Faust. Gezeichnet von Moritz Retsch, 1836 edition, printed in both Stuttgart and Augsburg. There were 29 plates in this edition, for the first part of the play, and a further 11 for the second part. Another edition was that engraved by Henry Moses, in 1820: Retsch's Series of Twenty-Six Outlines, Illustrative of Goethe's Tragedy of Faust, which had fewer plates for the first part, and none at all for the second part. The differences between the plates are mainly iconographical - for example, the Moses print dispenses with the image of God in plate 1, leaving only a pregnant glowing space. Again, Moses is inclined to make the vision of the woman (his plate 6, but plate 8 of the 1836 edition) more sensual, leaving her naked to the waist, whilst the German version has her fully clothed. At best these are merely graphic edits of the original drawings, and both sets are of very high quality. I have selected the plate which seemed more likely to respond to modern reproduction techniques (in each of these editions, the finer lines of the engraving tends to be lost in the printing). I give the actual edition used as the first title, in the listing above.

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