Antonio Allegri da Correggio, sein Leben, seine Freunde und seine Zeit. Paolo in Parma) KAPITEL III CORRE (U; iOS-MEISTER KÜNSTLER IN CORRFXGIO - IRANCESCA der BRANDENBURGISCHEN PALACE - LORENZO ALLEC. RIAND rRANCESCO BIANCHI FERRARI - Die FERRARESE SCHULE DES PAINTINO. Alle, die Biographen über havewritten thehterary Bildung von theyouthful Antonio rein ima ist - ginary. Die gute handwritingand ausgezeichnete Schreibweise der Buchstaben werden hisautograph sufficientevidence, daß sein Vater ihn zu hadearly somecareful Master anvertraut. Aber hier ourknowledge aufhört. Pungileoni wassimply Zeichnen auf seine Befugnisse ofinvention wh

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Antonio Allegri da Correggio, his life, his friends, and his time . Paolo at Parma ) CHAPTER III CORRE(U;iOS MASTERS ARTISTS IN CORRFXGIO—IRANCESCA OF BRANDENBURGS PALACE—LORENZO ALLEC.RIAND rRANCESCO BIANCHI FERRARI—THE FERRARESE SCHOOL OF PAINTINO. ALL that biographers havewritten concerning thehterary education of theyouthful Antonio is purely ima-ginary. The good handwritingand excellent spelling of hisautograph letters are sufficientevidence that his father hadearly entrusted him to somecareful master. But here ourknowledge ceases. Pungileoni wassimply drawing on his powers ofinvention when he said: Gio-vanni Rerni of Piacenza was thefirst person to instruct him inthe elements of letters and Battista Marastoni of Modena was his. 38 ANTONIO DA CORREC^GIO guide to the retreats of the Muses and of eloquence. The discoverythat these two masters were Hving at Correggio about the year 1500was sufficient ground for the fabrication of this statement, which restson no better foundation than the kindred assertion that at a laterdate our painter ? sought to enrich his mind by the study ofphilosophy, his instructor being the physician, Gian Battista Lom-bardi.^ If we further accept the statement of some that Correggiowas also a student of mathematical science, we must believe ourpainter to have been a striking example of universal aptitudes ! But, unluckily, there are others who declare that he had no inclinationfor such studies, and that feeling himself strongly drawn towards art, he allowed his parents to grumble as they pleased at his neglect ofother learning.- During his boyhood Correggio had many opportunities of meetingartists in his native place, and witnessed the completion of manyfamous works. The names of two p

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• bookauthorriccicor
• bookcentury1800
• bookdecade1890
• bookyear1896