. Antonio Allegri da Correggio, sein Leben, seine Freunde und seine Zeit. Brachte die ganze Arbeit zum Stillstand. Die würde des Ordens entmandet seine Vollendung. Aber wie waren die notwendigen Mittel zu erhalten ? Ein fataler Gedanke blitzte auf dem Lehrer auf! Die St. Jeromemight verkauft werden! Glücklicherweise wurden die Vorrunden nicht mit ausreichender Geheimhaltung durchgeführt, und die Affäre kam DukeFrancesco Farnese zu Ohren. In einem Brief an den Marchese Pier Luigi Dellarosa, schreibt er wie folgt: Ich positiv werde nicht leiden, die Altar-Stück in Sant Antonio zu verlassen meine Herrschaften; damit Sie antwortMonsieur Crosa

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. Antonio Allegri da Correggio, his life, his friends, and his time. brought all the work to a standstill. The dignity of the order de-manded its completion. But how were the necessary funds to beobtained ? A fatal thought flashed on the Preceptor! The St. Jeromemight be sold! Fortunately, the preliminaries were not conductedwith sufficient secrecy, and the affair came to the ears of DukeFrancesco Farnese. In a letter to the Marchese Pier Luigi dellaRosa, he writes as follows : I positively will not suffer the altar-piece in Sant Antonio to leave my dominions ; hence you answeredMonsieur Crosat most properly. If it must be sold, I will buy itmyself, and in this way they will be able to finish the church withfacility. 2 No more was heard of the matter for the time, and the persons 1 Op. cit. i. p. 185, and ii. p. 209. Tiraboschi, vi. p. 268. 2 Archives of the State of Parma. Corresponde?ue of the Farnesi. E. ScarabelliZunti, Documenti e memorie di belle artu MSS. in Parma Museum, vol. 1501-1550. The Madonna with St. [erome ??in limit In .~^H.J tt TT. Printed by GiesecKe & oevntrt, Leipzig [Germany) THE MADONNA WITH ST. JEROME 279 interested waited patiently till it should be forgotten to return to thecharge. Meanwhile the prince died. Several years passed, when suddenly a rumour gained ground thatnegotiations for the sale of the picture had been opened afreshbetween the Conte Anguissola, Preceptor of Sant Antonio, and aforeign potentate. Some said the King of Portugal had offered tobuy it for 40, 000 ducats ; others, that the proposed purchaser was theKing of Poland, and the price agreed upon 14, 000 sequins. Thesecond version was no doubt the true one. We know, in fact, that Augustus III., King of Poland and Elector of Saxony, hadbought about a hundred famous pictures from the Duke of Modenathree years before, among which were several by Correggio, and thathe continued to collect others for his gallery at Dresden. In the un-published chronicle of a contemporary writer

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• bookcentury1800
• bookdecade1890