(240508) -- TIANJIN, 8. Mai 2024 (Xinhua) -- Ma Sai zeichnet Muster für ein filigranes Mosaikkunstwerk in seinem Atelier im Dorf Liuzhuang im Bezirk Wuqing in Tianjin, Nordchina, 19. März 2024. MA's filigrane Mosaic Art, ein immaterielles Kulturerbe der Stadt in Tianjin, zog die Aufmerksamkeit des ganzen Landes auf sich, als ein damit hergestelltes Accessoire während der Frühlingsfestgala des Jahres des Drachen, die vom chinesischen Zentralfernsehen inszeniert wurde, auf den Kopf einer chinesischen Schauspielerin erschien. auch CCTV genannt. Filigrane Mosaikkunst, die erstmals in der Frühlings- und Herbstzeit (770 v. Chr. -476 v. Chr.) zu sehen war, begrüßte ITS

• Bildanbieter: Xinhua / Alamy Stock Foto
• Bild-ID: 2X59J35
• Dateigröße: 73,1 MB (1,5 MB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 6192 x 4128 px | 52,4 x 35 cm | 20,6 x 13,8 inches | 300dpi
• Aufnahmedatum: 19. März 2024
• Fotograf: Xinhua

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(240508) -- TIANJIN, May 8, 2024 (Xinhua) -- Ma Sai draws patterns for a filigree mosaic artwork at his studio in Liuzhuang Village of Wuqing District of Tianjin, north China, March 19, 2024. Ma's Filigree Mosaic art, a city-level intangible cultural heritage in Tianjin, attracted the attention of the whole country when an accessory made with it appeared on the head of a Chinese actress during the Spring Festival Gala of the Year of the Dragon, staged by China Central Television, also called CCTV. Filigree Mosaic art, first seen in the Spring and Autumn period (770 B.C.-476 B.C.), greeted its peak season in the Ming Dynasty (1368-1644). The craft, having a history of more than 2, 000 years, goes through complicated procedures and was listed as a national-level intangible cultural heritage in 2008. Two main steps are involved in the craft, namely making filigree and making mosaic. Using malleable materials such as gold and sliver to make thin threads and then forming different shapes is called filigree art. Inlaying pearls or gems on shaped metal frames is called mosaic art. Imparted by palace artisans for royal family, Ma's Filigree Mosaic art dated back to the late Qing Dynasty (1644-1911) to the 1920s. Ma Sai, an inheritor of the craft who was born in the 1990s, has been working in the field for over 14 years. "I like handmade work since childhood. I learned the art from my parents, who enlightened me during their daily work." In the early time, Ma Sai's family made filigree mosaic accessories mainly for export. With the withering of foreign market, the craft was almost lost. Noticing the popularity of traditional Chinese culture, Ma Sai tried to apply this craft to the making of traditional Chinese accessories. People's enthusiasm for Hanfu, a traditional wearing during the Han Dynasty (202 B.C.-220 A.D.), brought new vitality to Ma's Filigree Mosaic art. "The popularity of Hanfu gave me the confidence to carry on the craft, " said Ma Sai. He visited various mu

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