(230927) -- PEKING, 27. September 2023 (Xinhua) -- Hai Yan fertigt in ihrem Atelier im Cheng'en-Tempel in Peking, der Hauptstadt Chinas, am 8. September 2023 ein großes Stück geschnitzter Lackkunst. „Die Figur der Schönheit wird durch eine exquisite Gravur detailliert und anschaulich festgehalten. Tausend Schichten Lack, strahlend hell, machen Chang'e sogar neidisch auf seine Strahlkraft." Dieses Gedicht beschreibt die Vorzüglichkeit von geschnitztem Lack. Das Handwerk besteht darin, bunte Lacke auf eine Ware aufzutragen, von zwanzig bis dreißig bis über hundert Schichten, und dann Muster auf die Lacke zu gravieren. Es ist bekannt für seine intensive La

• Bildanbieter: Xinhua / Alamy Stock Foto
• Bild-ID: 2RXT7HY
• Dateigröße: 52,6 MB (1,6 MB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 5251 x 3501 px | 44,5 x 29,6 cm | 17,5 x 11,7 inches | 300dpi
• Aufnahmedatum: 27. September 2023
• Fotograf: Xinhua

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(230927) -- BEIJING, Sept. 27, 2023 (Xinhua) -- Hai Yan makes a large piece of carved lacquer artwork at her studio in the Cheng'en Temple in Beijing, capital of China, Sept. 8, 2023. "Finely detailed by exquisite engraving, the figure of the beauty is captured vividly. Thousand layers of lacquer, glistening bright, even make Chang'e envy of its radiance." This poem describes the exquisiteness of carved lacquer. The craft is to apply colorful lacquers onto a ware, ranging from twenty or thirty to over a hundred layers, and then engrave patterns on the lacquers. It is known for its intensive labor, high cost, complex procedures, and excellent skill and is also called the "art of time". There are various lacquer carving techniques nowadays, including flat carving, relief carving, hollow carving, and three-dimensional carving. A large or medium-sized artwork costs at least a year or more to complete.Hai Yan, an artisan of lacquer carving born in the 1980s, graduated from the College of Art and Design at Beijing University of Technology in 2007. She studied the craft from two national-level masters Wen Qiangang and Yin Xiuyun, consecutively. Over 15 years of lacquer carving practice, Hai Yan has endeavored to integrate elements of modern arts into traditional lacquer carving techniques. Based on traditional multi-color lacquer painting technique, she developed new techniques in multi-color and multi-layer lacquer painting with her colleagues, which expands the forms of lacquer carving and makes it more diverse and suitable for modern patterns. Currently, Hai Yan aims to integrate lacquer carving into cultural and creative products and home decor, allowing common people to know and embrace this traditional Chinese art. (Xinhua/Li Xin)

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