1922 , New York , USA : die italienische Sopransängerin CLAUDIA MUZIO ( 1889 - 1936 ), deren internationale Karriere zu den erfolgreichsten des frühen 20. Jahrhunderts gehörte. Muzio machte ihr Operndebut in Arezzo (15. Januar 1910) in der Titelrolle von Massenets Manon, Und trotz ihrer Jugend machte sie in den italienischen Opernhäusern rasante Fortschritte, die 1913 in Mailand (als Desdemona in Verdis Otello), 1914 in Paris (als Desdemona) und in Covent Garden (als Puccinis Manon Lescaut) zu Debüts in La Scala führten; Sie blieb in London, um andere Rollen zu singen, darunter Mimi und Tosca (beide mit C.
3494 x 5015 px | 29,6 x 42,5 cm | 11,6 x 16,7 inches | 300dpi
Aufnahmedatum:
1922
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1922 , New York , USA : The italian Opera soprano singer CLAUDIA MUZIO ( 1889 - 1936 ) whose international career was among the most successful of the early 20th century. Muzio made her operatic début in Arezzo (15 January 1910) in the title-role of Massenet's Manon, and despite her youth she made rapid progress in the opera-houses of Italy, leading to débuts at La Scala in Milan in 1913 (as Desdemona in Verdi's Otello), in Paris (as Desdemona) and in London at Covent Garden (as Puccini's Manon Lescaut) in 1914; she stayed on in London to sing other roles including Mimi and Tosca (both with Caruso). She was invited to the Met in New York in December 1916 (for Tosca) and was so successful that she continued to appear there during six successive years. She established a special relationship with the Teatro Colón in Buenos Aires, where she first appeared in June 1919 (as Catalani's Loreley), and from then until 1934 she sang there in 23 different operas; she became known as "La Divina". Between 1922 and 1932, she also appeared regularly in Chicago (after falling out with the management at the New York Met). On October 15, 1932 she performed the title role of Tosca to inaugurate the new War Memorial Opera House in San Francisco. Other notable roles in her career included Aida, Santuzza in Cavalleria rusticana, Maddalena in Andrea Chénier, and Leonora in Il Trovatore (all in New York), and also Violetta in La Traviata and Leonora in La Forza del Destino (in Chicago and Buenos Aires). Her last and according to some critics her greatest role was in Rome in 1934 as Cecilia in the opera of that name written for her by Licinio Refice. She regularly partnered some of the leading tenors of the day Enrico Caruso, Beniamino Gigli, Martinelli , ecc. Photo by Bain , New York - THEATER - TEATRO - OPERA - cantante lirica - classica - classical - veil - velo - ANNI VENTI - 20's - '20 - necklace - collana - camera d'albergo - room - shoes ---- ARCHIVIO GBB
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